New interpretations always stimulate intellectual excitement, whether the solution is inspiring or controversial. This is especially true of a neglected trend such as Great Plain…

Until the twentieth century, drawing lived in the public consciousness as a subordinate complement to other artistic disciplines. It was associated with the broad concept…

The works in the Spectale Reconstruction strongly reflected social, political and historical changes. Most of the exhibiting artists were born in the 1960s, so their…

The greatest common denominator of the works in the exhibition is the concept of the word ‘man’, or more precisely the transformation of our view…

Sacred Paths presented the work of thirteen Middle Eastern photographers, divided into three sections entitled The Body, The Land and The Leader. Most of the…

Lili Ország (Ungvár, 8 August 1926 – Budapest, 1 October 1978) is unique in twentieth-century Hungarian art with her peculiar private mythology. The MODEM has…

Still – silence, static, frame, and “still”. The richly meaningful title showcased the work of internationally acclaimed artists in MODEM’s second floor exhibition space. In…

The Intermedia Department of the Hungarian University of Fine Arts was officially launched in 1993, twenty years before the opening of the exhibition, as a…

Gábor Roskó produced one of the most exciting figurative paintings of the 1980s, representing a completely independent voice within the new sensationalism-dominated art scene. In…

MODEM’s large-scale selection featured over half a hundred works by contemporary Canadian print artists. The twelve artists in the exhibition live and work in different…

The exhibition space on the third floor of MODEM, titled Funny Story, presented the works of Lajos Csontó, and actually the exhibition space itself became…

In the Romanian town of Aleşd, ten or so Hungarian artists, some of Transylvanian origin, set up an art colony ten years after the fall…