Visitors of the Carousel exhibition saw not documentary photographs but staged scenes. Walking through the pictures in the exhibition, Erwin Olaf said that many of…
The exhibition was the first debut in Debrecen of the internationally acclaimed Ákos Birkás, born in 1941, and consisted of works from the eight years…
Atoms behave in a similar way to humans. They transfer electrons to each other. They take them up when they feel the need, or give…
The exhibition traced the history of modern and avant-garde art in Hungary through the dialogue between two prominent Hungarian art collections. The concept was based…
The MODEM exhibition held in the summer of 2014 showcased the diversity and creative power of the contemporary art scene in Debrecen. Curator Krisztián Kukla…
New interpretations always stimulate intellectual excitement, whether the solution is inspiring or controversial. This is especially true of a neglected trend such as Great Plain…
Until the twentieth century, drawing lived in the public consciousness as a subordinate complement to other artistic disciplines. It was associated with the broad concept…
The works in the Spectale Reconstruction strongly reflected social, political and historical changes. Most of the exhibiting artists were born in the 1960s, so their…
The greatest common denominator of the works in the exhibition is the concept of the word ‘man’, or more precisely the transformation of our view…
Sacred Paths presented the work of thirteen Middle Eastern photographers, divided into three sections entitled The Body, The Land and The Leader. Most of the…
Lili Ország (Ungvár, 8 August 1926 – Budapest, 1 October 1978) is unique in twentieth-century Hungarian art with her peculiar private mythology. The MODEM has…
Still – silence, static, frame, and “still”. The richly meaningful title showcased the work of internationally acclaimed artists in MODEM’s second floor exhibition space. In…
